Flash Fiction

The Window

那扇窗
Corner of building in blue with orange window shining orange light.
Photograph by Gabriel Zimmer for The New Yorker

When my daughter was on the cusp of the age when it was appropriate to leave her home alone, I left her home alone.

女儿快到可以独自在家的年纪时,我让她一个人待着了。

There were things I wanted to do. People I wanted to see. All that.

我有想做的事,有想见的人。诸如此类。

I had devoted so many years of my life to her.

我已经把生命中那么多年的时间都给了她。

She watched me put on my earrings. I remembered watching my mother put on her earrings.

她看着我戴上耳环。我记得自己也曾这样看着母亲戴耳环。

I asked my daughter for advice about my outfit. She thought that the dress made my legs look short, but I decided to wear it anyway, and she shrugged, as though she weren’t wounded.

我问女儿我这身打扮怎么样。她觉得这条裙子显得我腿短,但我还是决定穿它。她耸耸肩,好像并不在意。

I asked to borrow her extra-glossy lip gloss. She ran downstairs to get it for me, placed it directly in my hand.

我问她借那支超亮的唇彩。她跑下楼拿来,直接放进我手心里。

I left her with everything she could need, and more. I cut up fruits and vegetables and arranged them by color, like a rainbow. I left her bread, sliced cheese, cookies, nuts. There was ice cream in the freezer, and I told her that I trusted her to not make a mess, to give herself a reasonable portion. There was a tablet as well as a computer, and she had her special watch with which she could call and text me, and which I, in turn, could use to see precisely where she was, her coördinates on the globe. I had checked out a stack of books for her from the library. I had bought her favorite chips and placed them on the pillow of the single twin in her basement bedroom, a surprise for her to discover later. I had, undeniably, done so much.

我给她留下了一切可能需要的东西,甚至更多。我把水果和蔬菜切好,按颜色摆成一道彩虹。我给她留了面包、切片奶酪、饼干、坚果。冰箱里有冰淇淋,我告诉她我相信她不会弄得一团糟,会给自己盛合适的份量。家里有平板电脑,也有笔记本电脑,她还有那块特别的手表,可以给我打电话、发短信,我反过来也能用它看到她精确的位置,她在这个星球上的坐标。我从图书馆给她借了一摞书。我买了她最喜欢的薯片,放在她地下室卧室那张单人床的枕头上,等她稍后发现。毫无疑问,我已经做了这么多。

I was also, undeniably, leaving her alone.

同样毫无疑问的是,我要把她一个人留下了。

“How do you feel about being here alone?” I said.

「你一个人待在这儿,感觉怎么样?」我问。

“Fine,” she said, with her newfound inscrutability. I used to understand everything she said, but more and more I wasn’t sure. That “Fine” might have been an expression of vulnerability, a cry for help, or a stern judgment of me for abandoning her, or desperation for me to get out of her hair and aggravation that I hadn’t already left, or utter indifference to me, my presence or lack thereof. Or perhaps she was simply fine with the situation.

「还好,」她说,带着那种新近才有的、让人捉摸不透的神情。从前她说的每句话我都能懂,但现在我越来越拿不准了。那句「还好」可能是一种脆弱的流露,一声求救,或者是对我抛下她的严厉审判,也可能是巴不得我赶紧走、气我怎么还没走,又或者是对我、对我的在场或不在场全然无所谓。也可能,她对这情形真的就是还好。

“You’ll be O.K.?” I said.

「你不会有事的吧?」我说。

“Of course,” she said.

「当然,」她说。

It was dusk when I closed the front door and locked it. I walked down the steps and looked back to check for her head. Whenever I left her with a babysitter, she would climb onto the couch in the living room so that she could watch me go, and I would be able to see the dark shape of her head all the way down the block until I turned at the graveyard. But, tonight, no head.

黄昏时分,我关上大门,锁好。走下台阶,我回头想看看她的脑袋。以前每次把她留给保姆,她都会爬到客厅沙发上,好目送我离开,我能一路看见她脑袋的黑影,直到在墓地那里拐弯。但今晚,没有脑袋。

On the train, I felt radiant, untethered, my lips glossy enough to catch the light in the train car.

在地铁上,我感到容光焕发,无牵无挂,嘴唇亮得能映出车厢里的光。

Only then did I remember that I had forgotten to pull down the window shade in her little basement bedroom, so, when the light beside her bed was on (she always fell asleep reading), she and all the objects in her room would be perfectly visible to anyone walking by. Her shelves, her forest-green comforter, her rug, her bowl of headbands. Her old cardboard fort, messy with duct tape and red marker, dismantled but still taking up space in the corner. (Whenever I tried to put it out with the recycling, she protested; she used to spend hours in that fort, scrawling on the walls, doodling monsters and other imaginary animals, communicating only by way of playing cards she slipped out to me between two flaps of cardboard—hearts equals water, spades equals Cheerios.)

直到这时,我才想起忘了把她那间小小的地下室卧室的窗帘拉下来。这样一来,只要她床边的灯亮着(她总是读着书就睡着了),她和房间里所有的东西,都会被路过的人看得一清二楚。她的书架,她那床森林绿的被子,她的地毯,她那碗发箍。她那座旧纸板堡垒,胶带和红色马克笔弄得乱七八糟,已经拆了,但还占着角落的位置。(每次我想把它跟回收垃圾一起扔掉,她都要抗议;她曾经在那座堡垒里一待就是好几个小时,在墙上乱涂乱画,画怪兽和别的什么想象出来的动物,只靠从两块纸板缝里塞出来的扑克牌跟我交流——红心代表水,黑桃代表麦圈。)

Part of me wanted to go back to pull the shade, but that was irrational, I knew. Yes, pulling the shade was my nightly task, and she’d never think to do it, but already I was half an hour away from home. I would text her as soon as the train was above ground again and tell her to pull it herself.

我心里有个声音想回去把窗帘拉上,但我知道这不理智。没错,拉窗帘是我每晚的任务,她从来不会想到去做,可我已经离家半小时了。等地铁一回到地面上,我就给她发短信,让她自己拉上。

The party was filled with heads. People I knew, or used to know. I talked to them. I said this and that. In one conversation, I presented myself with confidence and then worried that I had come off as boastful. In the next conversation, I presented myself with self-deprecation and then worried that I had come off as pathetic. My worries lessened as my alcohol intake increased. Eventually, I was hardly worried at all. I became gregarious and I felt that perhaps I had not given up so much with the choices I had made in my life. But then I went into the single-stall bathroom. There in the mirror was a woman with bloodshot eyes and a red-tipped nose, red-tipped ears. I realized, with a jolt, that I had forgotten to text her about pulling the shade.

派对上到处都是脑袋。我认识的人,或者说曾经认识的人。我跟他们聊天。我说了这,说了那。在一场对话里,我表现得很自信,接着又担心自己显得自吹自擂。在下一场对话里,我表现得很自嘲,接着又担心自己显得可怜巴巴。随着酒精摄入量的增加,我的担心减轻了。到最后,我几乎完全不担心了。我变得谈笑风生,觉得自己或许并没有因为人生中做过的那些选择而失去太多。但接着我走进了那间单人卫生间。镜子里是一个双眼布满血丝、鼻尖和耳尖都泛红的女人。我猛地一惊,意识到自己忘了给她发短信,让她拉窗帘。

In the park with my daughter two springs ago. An old picnic blanket. Midday, a pale April day, leaves emerging. A baby robin, literally. She lay down on the blanket, her head obscured by the brown paper bag I had used to carry the sandwiches, so that when she responded to my questions, I felt as though the brown paper bag was replying to me.

两年前的春天,和女儿在公园里。一条旧野餐毯。正午,四月里一个淡淡的日子,叶子刚刚冒出来。一只知更鸟幼雏,名副其实的幼雏。她躺在毯子上,脑袋被我用来装三明治的棕色纸袋挡住了,所以当她回答我的问题时,我感觉像是那个棕色纸袋在回答我。

I stood at the sink and checked my phone. She was, of course, at home. The phone couldn’t tell me if she was scooping ice cream, or playing the bird game on the tablet, or getting ready for bed, but I knew her coördinates, which was enough. Stupidly, it took me a moment to note the time, well after midnight, and to realize that she was surely asleep. No use texting her now. Someone kept knocking on the bathroom door, so I dropped my phone into the bottom of my bag and stepped back out into the party, dizzy.

我站在洗手池边,查看手机。她当然在家。手机没法告诉我她是在舀冰淇淋,还是在平板上玩小鸟游戏,或者正准备上床睡觉,但我知道她的坐标,这就够了。我迟钝地过了一会儿才注意到时间,早已过了午夜,才意识到她肯定睡着了。现在给她发短信也没用了。有人不停地敲卫生间的门,于是我把手机丢进包底,重新走回派对,头晕目眩。

I felt quiet, subdued, as I walked the forgotten blocks back to my home. It was closer to dawn than to midnight. The streets slanted up toward the graveyard. It was one of those nights when the seasons make no sense, and I could have believed it was spring as easily as I could have believed it was fall, though in fact it was winter, a strangely warm nighttime breeze blowing scraps of litter and sheets of newspaper down the street.

我沿着那些被遗忘的街道走回家时,感到安静、消沉。离黎明比离午夜更近。街道向上倾斜,通往墓地。就是那种季节感错乱的夜晚,我既可以相信这是春天,也可以轻易相信这是秋天,尽管事实上是冬天,一阵奇异的温暖夜风,吹着碎纸片和整张的报纸沿街翻滚。

I contained within myself certain conversations that I had experienced over the course of the evening, and I replayed them in my mind as I walked, wondering how accurately I recalled them, imagining edits that could have significantly improved my legibility to others.

我脑子里装着今晚经历过的某些对话,一边走一边在脑海中回放,琢磨自己记得有多准确,想象着哪些修改能显著提升我在别人眼中的可理解性。

But quickly I wearied of trying to conjure a better version of myself, and instead turned my imagination to the sight I knew awaited me at the top of the hill, across from the graveyard, a house all dark but for one window, a basement window radiating a golden rectangle out onto the sidewalk, and, within, the dazzling prize of my life, a child asleep in a small bed beneath a forest-green comforter, illuminated by a lamp balanced on a shelf, a book splayed open at her waist, a small bag of chips abandoned on the colorful rug, her slumber deep and ignorant of the strangers who could spy on it, strangers who might linger for a moment or longer, certain that there was an adult somewhere in the house yet unable to push away the distinct impression that this child was marooned here, alone, exposed in this little room on this windy street. When I reached her window, so soon now, I would pause outside, look tenderly on her, wonder if even my gaze on her sleep was a violation of sorts, before unlocking the door and going to the basement and pulling the shade.

但我很快就厌倦了试图召唤出一个更好的自己,转而把想象投向我知道在山顶等着我的景象:墓地对面,一栋房子漆黑一片,只有一扇窗亮着,一扇地下室窗户,在人行道上投出一个金色的长方形,而在那里面,是我生命中耀眼的珍宝——一个孩子,睡在一张小床上,盖着森林绿的被子,被搁在书架上的灯照亮,一本书摊开在她腰间,一小袋薯片丢在彩色地毯上,她沉睡着,浑然不知有陌生人可以窥视她的睡梦,那些陌生人也许会驻足片刻或更久,确信这房子里某处一定有个大人,却无法驱散那种清晰的印象:这个孩子被遗弃在这里,孤身一人,暴露在这条有风的街上、这间小小的房间里。等我走到她的窗前,就快了,我会在外面停下,温柔地注视她,甚至怀疑自己凝视她的睡梦是否也是一种侵犯,然后才开门进屋,下到地下室,拉上窗帘。

I turned right onto our street, eager to see the golden rectangle.

我右转拐进我们那条街,急切地想看到那个金色的长方形。

But there was no golden rectangle.

但没有金色的长方形。

So she had remembered to pull down her shade (thoughtful girl).

那么,她记得拉下了窗帘(细心的孩子)。

Or she had remembered to turn off her bedside lamp (as she never did).

或者,她记得关掉了床边的灯(她从来不关的)。

Or.

或者。

Her room, dark. Our house, dark.

她的房间,一片漆黑。我们的房子,一片漆黑。

I broke into a run. I could have been mistaken for a thief.

我拔腿就跑。别人可能会把我误认作小偷。

I stopped in front of her window.

我在她窗前停下。

The window was blocked from the inside with a large piece of battered cardboard. On the cardboard, scrawled in red marker, a monster with jagged fangs and many eyes.

窗户从里面被一大块破旧的纸板挡住了。纸板上,用红色马克笔潦草地画着一只怪兽,长着参差不齐的獠牙和许多只眼睛。

And, written in big red childish letters: KEEP OUT. ♦

还有,用红色大字歪歪扭扭地写着:不许进来。 ♦

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