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The Long Road to Margaret Thatcher’s Britain

通往玛格丽特·撒切尔治下英国的漫漫长路
In Paul Graham’s book “A1: The Great North Road,” life along a major British thoroughfare reveals fissures in the nation’s identity.
在保罗·格雷厄姆的摄影集《A1:大北公路》中,沿着这条英国主干道展开的生活,揭示了这个国家身份认同中的裂痕。
A green garage.
Photographs by Paul Graham

The first image in Paul Graham’s book “A1: The Great North Road,” which was originally published in 1983 and is being reissued this month by Mack, shows two men in business attire standing against the creamy white stone of the Bank of England, in the City of London. One man, dressed in a blue suit, smiles broadly as he holds a piece of notepaper toward his younger companion, who wears navy-blue pinstripes and an equally broad grin. The bright-blue necktie of the older man is flopped over his raised arm, its hue matching that of a handsome coat and scarf worn by an older woman who is entering the frame on the right. The composition—completed by a shadowy figure on either side of the central trio—offers a striking arrangement of color and light.

保罗·格雷厄姆(Paul Graham)的摄影集《A1:大北公路》最初出版于1983年,本月由Mack出版社再版。书中的第一张照片,是两名身着商务装的男子站在伦敦金融城英格兰银行乳白色石墙前的画面。其中一位穿着蓝色西装,笑容满面,正将一张便条纸递向身旁的年轻同伴;后者穿着藏青色细条纹西装,同样咧嘴笑着。年长男子那条亮蓝色的领带搭在他抬起的手臂上,色调与右侧正走入画面的一位年长女性所穿的漂亮大衣和围巾如出一辙。画面中央三人组的两侧各有一个模糊的人影,整幅构图在色彩与光线的安排上格外引人注目。
People dressed in business atire in the street.
“Young Executives, Bank of England,” November, 1981.
“年轻高管,英格兰银行”,1981年11月。

To a British viewer, especially one old enough to remember the early nineteen-eighties, the image says something else, too. The brilliant-blue shade of the tie and the coat is the color of the party rosettes worn by the Tories, who had come to power in 1979 under the leadership of Margaret Thatcher. It was a favorite in Thatcher’s wardrobe: she wore a suit of the same bright blue on the day of her victory, when she took occupancy of 10 Downing Street as Prime Minister and declared her aims in lofty terms to television cameras: “Where there is discord, may we bring harmony; where there is error, may we bring truth; where there is doubt, may we bring faith.” Whether or not Thatcher did bring any of those things in the transformative, and frequently contentious, eleven years of her premiership, she certainly brought about the deregulation of the financial markets, the glee over which seems prefigured in the countenances of Graham’s two young executives.

对一位英国观众来说,尤其是那些年纪大到足以记得八十年代初期的人,这张照片还传递着另一层意味。那条领带和大衣上那抹亮蓝色,正是保守党党花胸章的颜色。保守党于1979年在玛格丽特·撒切尔(Margaret Thatcher)的领导下上台执政。这种蓝色也是撒切尔衣橱中的心头好:她在胜选当天就穿着一套同样亮蓝色的套装,入主唐宁街10号首相官邸,并以高亢的语调对着电视镜头宣告她的目标:“凡有纷争之处,愿我们带来和谐;凡有谬误之处,愿我们带来真理;凡有疑虑之处,愿我们带来信念。”无论撒切尔在她那变革剧烈、争议频仍的十一年首相任期内,是否真的带来了这些东西,她无疑带来了金融市场的放松管制,而那份欣喜之情,似乎早已写在了格雷厄姆镜头下那两位年轻高管的面孔上。
Cars on a highway.
“Looking Back on the City, Highbury, North London,” March, 1982.
“回望城市,海布里,北伦敦”,1982年3月。

The photograph is an appropriate first milestone on a viewer’s journey through “A1: The Great North Road,” a chronicle of Britain’s longest thoroughfare, which extends about four hundred miles, from London to Edinburgh. The route was once a path for stagecoaches and mail coaches known as the Great North Road, but by 1983 it had been superseded by the faster M1 motorway. The users of the A1, Graham wrote in his original introduction to the book, “were no longer travellers who would use their journey to bear witness to the landscape, but merely people to whom crossing the length of the country simply meant completing a journey from A to B, as fast, efficiently, and blindly as possible.” During several journeys taken over a period of two years, Graham photographed the countryside through which the road passes: from the sodden fields of Bedfordshire, flooded under an inclement June sky in 1982, to the rainy forecourt of a Little Chef service station in Cambridgeshire, where a man stares glumly through a window and the words “SAFE JOURNEY” are painted in white on gray asphalt outside, to the blue skies over Ferrybridge, West Yorkshire, streaked with billowing clouds from the Ferrybridge Power Station.

这张照片,是观者踏上《A1:大北公路》这趟视觉旅程的一个恰如其分的起点。这本摄影集是对英国最长主干道的一份记录,这条路绵延约四百英里,从伦敦一直延伸到爱丁堡。这条路线曾是公共马车和邮政马车通行的大北公路,但到了1983年,它已被更快捷的M1高速公路取代。格雷厄姆在为这本书撰写的原始引言中写道,A1公路的使用者“不再是那些借旅途见证风景的旅人,而仅仅是那些把穿越整个国家视为从A点到B点、越快越高效越盲目越好的人”。在两年间数次往返的旅途中,格雷厄姆拍下了公路所经之处的乡村景象:从贝德福德郡在1982年六月阴雨连绵的天空下被淹没的湿漉漉的田野,到剑桥郡一家“小厨师”服务区加油站被雨水打湿的前院——那里有个男人闷闷不乐地望向窗外,外面的灰色沥青路面上用白漆写着“一路平安”——再到西约克郡费里布里奇上方蔚蓝的天空,费里布里奇发电厂排出的滚滚云烟划过天际。
A restaurant on a rainy day.
“Little Chef in Rain, St. Neots., Cambridgeshire,” May, 1982.
“雨中的小厨师餐厅,圣尼茨,剑桥郡”,1982年5月。
A highway with only one car driving on it.
“Bus, Car and Airplane, Newcastle By-Pass, Tyne and Wear,” February, 1982.
“公交车、汽车与飞机,纽卡斯尔绕行道,泰恩-威尔郡”,1982年2月。

Graham was an early adopter of color photography, and his images belie the stereotype of Britain in the early eighties as gray and drained. At Blyth Services in Nottinghamshire, Graham shot a Bible, bound in red and set upon a small white table tucked into the corner of a room with blue-painted walls—an almost sculptural arrangement in what the caption reveals is a bedroom for drivers. In another image, a verdigris-colored ashtray at Morley’s Café, in Markham Moor, Nottinghamshire, glows like a precious relic. The book’s concluding image—a shot of the top of an emerald-green vehicle against emerald-green walls, in a room lit by white skylights from which hang red-and-white illuminated signs with the brand names Singer and Humber—pops as if it had been taken under the high skies of Route 66.

格雷厄姆是彩色摄影的早期实践者,他的影像颠覆了人们对八十年代初英国灰暗乏味的刻板印象。在诺丁汉郡的布莱斯服务区,格雷厄姆拍下了一本红色封皮的《圣经》,它被放在一张白色小桌上,桌子塞在漆成蓝色墙壁的房间角落里——这近乎雕塑般的布置,图片说明揭示出那是一间司机休息室。在另一张照片中,诺丁汉郡马克汉姆摩尔莫利咖啡馆里一只铜绿色的烟灰缸,像一件珍贵的遗物般散发着幽光。全书的结尾画面,是一辆翠绿色卡车的车顶映衬着翠绿色的墙壁,房间被白色的天窗照亮,天窗上悬挂着红白相间的发光标志牌,上面写着“胜家”和“亨伯”的品牌名——这张照片色彩鲜明,仿佛是在66号公路的高远天空下拍摄的。
A fire with a hotel sign.
“Burning Fields, Melmerby, North Yorkshire,” September, 1981.
“燃烧的田野,梅尔默比,北约克郡”,1981年9月。
A red bible in a light blue room.
“Bible, Drivers’ Bedroom, Blyth Services, Blyth, Nottinghamshire,” February, 1981.
“圣经,司机卧室,布莱斯服务区,布莱斯,诺丁汉郡”,1981年2月。

It can be no coincidence that a version of Thatcher’s blue recurs, in different incarnations, throughout Graham’s book. It is the blue of the overalls of the lorry driver seated with a teacup at a table in a run-down service station in South Mimms, Hertfordshire, looking over his shoulder toward an unseen window. It is the blue of the apron of the café assistant at the Compass Café, in Colsterworth, Lincolnshire, who stands against a reproduction-wood wall, the pinstripes of her smock recalling those of the affluent young man against the Bank’s imposing stone. It is the blue of the crisp denim jacket worn by the young man in “Couple on Day Trip, Washington Services, Tyne and Wear,” who stands grimacing with his arm around the shoulder of a young woman in a smart white pin-striped jacket, both of them with violently yellow-peroxided hair.

撒切尔蓝以不同形态在格雷厄姆的书中反复出现,这绝非巧合。它是赫特福德郡南米姆斯一家破败服务站里,那位坐在桌旁端着茶杯的卡车司机所穿工装裤的蓝色,他正扭头望向画框外的一扇窗。它是林肯郡科斯特沃斯“指南针咖啡馆”里那位女服务员围裙的蓝色,她背靠着一面仿木纹墙站着,罩衫上的细条纹让人联想起那位站在银行威严石墙前的富裕年轻人身上的条纹西装。它也是《泰恩-威尔郡华盛顿服务区的一对一日游情侣》中那位年轻男子所穿的挺括牛仔夹克的蓝色,他皱着眉头,手臂搂着一位年轻女子的肩膀,那女子穿着一件时髦的白色细条纹夹克,两人都顶着一头漂染得扎眼的亮黄色头发。
A young man and woman both with bleached blonde hair.
“Couple on Day Trip, Washington Services, Tyne and Wear,” May, 1982.
“一日游的情侣,华盛顿服务区,泰恩-威尔郡”,1982年5月。

Graham was in his mid-twenties when he started photographing along the Great North Road. He could not have known that Thatcher—whose birthplace, Grantham, in Lincolnshire, is along the A1—would remain Prime Minister until 1990, remaking Britain from an admittedly somewhat lurching and enfeebled industrial economy into a nimbler, crueller one based on financial services. The processes she set in motion would make a lasting division in the nation, especially between its more affluent south and the towns and cities that lie farther up the Great North Road. Even in the first years of the eighties, indications of the radical impact of her policy choices were detectable. Manufacturing jobs were being decimated; cuts were being made to social benefits; and unemployment, especially among the youth, was rising. The service station at which the bottle-blond pair was photographed is on the outskirts of the city of Sunderland, a formerly powerful industrial town with a history of shipbuilding and mining. Local coal miners took part in Britain’s brutal yearlong national miners’ strike in the mid-eighties, but the area’s pits were closed by the early nineties. The last shipbuilding yard was shuttered in 1988, in what the leader of Sunderland City Council called at the time “an act of economic vandalism, unparalleled in the history of this country.” The brows of people like the young couple—and other working-class people pictured in the book—would surely grow only more furrowed in the years after Graham captured them, as local opportunities for work, and what had been a given as a way of life, slipped away. Meanwhile, no doubt, the smiles of the London bankers would grow broader still.

格雷厄姆开始沿着大北公路拍摄时,才二十五六岁。他当时不可能知道,撒切尔——她的出生地林肯郡格兰瑟姆就在A1公路沿线——会一直担任首相直到1990年,将英国从一个公认步履蹒跚、积贫积弱的工业经济体,重塑为一个更灵活、也更残酷的以金融服务业为基础的经济体。她所启动的进程,在这个国家造成了持久的分裂,尤其是在较为富裕的南方与大北公路更北端的城镇之间。即便在八十年代的头几年,她政策选择所带来的剧烈影响也已显露端倪。制造业岗位遭到大规模裁减;社会福利被削减;失业率,尤其是青年失业率,不断攀升。那对染着金发的情侣被拍下照片的服务站,位于桑德兰市郊,这座曾经强大的工业城市有着造船和采矿的历史。当地的煤矿工人参与了八十年代中期那场持续一年之久的残酷的全国矿工大罢工,但到了九十年代初,该地区的矿井还是被关闭了。最后一家造船厂于1988年关停,桑德兰市议会领袖当时称其为“一种经济破坏行为,在这个国家的历史上无出其右”。像那对年轻情侣——以及书中拍到的其他工人阶级人士——的眉头,在格雷厄姆捕捉下他们的影像之后,随着当地的工作机会和那种曾经理所当然的生活方式一同消逝,想必只会越皱越紧。而与此同时,毫无疑问,那些伦敦银行家们的笑容,则会变得更加灿烂。
A building lit inside at dusck.
“Blyth Services at Night, Blyth, Nottinghamshire,” February, 1981.
“夜色中的布莱斯服务区,布莱斯,诺丁汉郡”,1981年2月。

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