Poems

Mice

鼠辈

You may take my word
for their being very nearly as hard to herd
as people.
Whereas the curlew may “wheep” or “wheeple”
depending on the stretch of salt marsh
or other harsh
terrain from which it happens to hail,
a mouse will whisper-wail
a single ultrasonic
note that resonates through the chthonic
zones beloved of Hecate. A mouse will blithely throw
down this ultrasonic “hey for houghmagandie”
to attract the doe
some still take for eye candy.

你可以相信我说的,它们几乎和人一样难以管束。杓鹬的鸣叫是“喂噗”还是“喂噗噜”,取决于它碰巧来自哪片盐沼或荒芜之地,而老鼠则会低吟般发出单一的超声波音符,在赫卡忒(Hecate)所钟爱的冥界地带回荡。老鼠会漫不经心地抛出这超声波版的“嘿,来快活吧”,去吸引那些至今仍被某些人当作养眼玩物的母鼠。

With regard to the edible dormouse, glis glis,
on which the Romans loved to reminisce
long after they stopped roasting him in honey
and poppy seed, finally running out of dinner money
with the arrival of the Goths,
he’s scarcely cut from the same cloth
as the beastie overturned
by the plowman-poet Rabbie Burns,
himself subsisting on gruel and a little beef suet.
Despite the capacity to intuit
outcomes we now ascribe to Mus musculus,
it’s unlikely Rabbie—not much of a Latin scholar—
would ever have sussed
a mouse flexing itself under the skin of “muscular.”

至于罗马人钟爱的食用榛睡鼠(glis glis),他们早已不再用蜂蜜和罂粟籽烤它,却仍久久回味,直到哥特人打来,餐费终于耗尽——这小东西与农夫诗人罗伯特·彭斯(Rabbie Burns)犁地时掀翻的那种小兽,简直不是一路货色,彭斯自己不过靠稀粥和一点牛油渣过活。尽管我们现在把预判结果的能力归于小家鼠(Mus musculus),但彭斯——拉丁文底子不怎么样——恐怕怎么也想不到,一只老鼠竟能在“肌肉”(muscular)这个词的表皮下暗自发力。

To say she has “sweetie mice between the ears”
is to say she isn’t the keenest spear
in the rack, your own latest lady.
Situated as they are in a hot press or shady
pantry and incorporating foil off Polo mints,
blue-tinged lint
from a tumble dryer, fibreglass, Styrofoam,
their homes
are no longer those rural slums exposed by Rabbie
but penthouses taunting the tabby
with tabbed silk, buttonhole twist—all such pelf
as would befit any yarn-spinner
like myself
who’s also well-nigh resistant to blood thinners.

说一个女人“两耳之间塞着甜心鼠”,就是说她算不上兵器架上最锋利的那杆矛,你新近的这位女士便是如此。它们的巢穴安在热水间或阴凉食品柜里,掺着宝路薄荷糖的锡箔纸、烘干机里泛蓝的棉絮、玻璃纤维、泡沫塑料——这些早已不是彭斯当年揭露的那种乡间陋室,而是用塔夫绸、锁眼线绣着丝缎的顶层公寓,嘲弄着那只斑猫,这等浮财,倒也配得上我这样几乎抗凝血剂也奈何不得的编故事好手。

While it’s clear that Cooper drew heavily on Scott
for the plot
of “The Last of the Mohicans,” the psalm-singing Gamut
being a version, goddammit,
of Wamba the fool,
and Rebecca and Rowena are retooled
as Cora and Alice Munro, he also draws
on his own braw
dexterity much as a mouse will raid our autumnal
hoard with the aid of a thumbnail
that’s little more than a thumbnail sketch,
that rudimentary
development nonetheless allowing it to fetch
an illimitability of corn past Egyptian corn sentries.

库珀写《最后的莫希干人》时显然大量借鉴了司各特,唱赞美诗的大卫·盖马特,见鬼,就是弄臣万巴的翻版,丽贝卡和罗伊娜则被改造成了科拉和爱丽丝·门罗,但他也动用了自己那份灵巧,就像老鼠用一片不过寥寥几笔的拇指指甲,突袭我们秋天的储藏,那点简陋的发育,却足以让它从埃及玉米哨兵眼皮底下,搬走无穷无尽的玉米。

You may take my word
that what you’ve faintly overheard
from library or laundry room is the shutting of a visor
followed by the tut-tutting of a steel-tipped incisor
as mice enter the lists
against any and every Ivanhoe. It’s all grist
to the mills at which they tilt. Sennacherib and sahib
have withered before the steel-tipped nibs
by which they take on the hellish
zone beloved of Hecate with something of the relish
and resolution ascribed by Conan Doyle
to a blowpipe-wielding Andaman Islander
till, holy shit, they’ve stripped the soy-oil
insulation from the wiring of your Toyota Highlander.

你可以相信我,你在书房或洗衣间隐约听到的,是面甲合上的声响,接着是钢尖门齿的啧啧声,老鼠们正披挂上阵,迎战每一个艾凡赫。它们冲锋陷阵的磨坊,来者不拒。西拿基立和大人老爷们,都在那钢尖笔头前败下阵来,它们正是凭着这笔尖,带着几分柯南·道尔笔下吹箭安达曼岛民的那股兴致与决绝,闯入赫卡忒所钟爱的地狱地带,直到——天哪——它们把你丰田汉兰达电线上那层豆油绝缘皮,啃了个精光。

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